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Honore de Balzac

Between the Seine and the little river Loing lies a wide flat country, skirted on the one side by the Forest of Fontainebleau, and marked out as to its southern limits by the towns of Moret, Montereau, and Nemours. It is a dreary country; little knolls of hills appear only at rare intervals, and a coppice here and there among the fields affords for game; and beyond, upon every side, stretches the endless gray or yellowish horizon peculiar to Beauce, Sologne, and Berri.

In the very centre of the plain, at equal distances from Moret and Montereau, the traveler passes the old chateau of Saint-Lange, standing amid surroundings which lack neither dignity nor stateliness. There are magnificent avenues of elm-trees, great gardens encircled by the moat, and a circumference of walls about a huge manorial pile which represents the profits of the maltote, the gains of farmers-general, legalized malversation, or the vast fortunes of great houses now brought low beneath the hammer of the Civil Code.

Should any artist or dreamer of dreams chance to stray along the roads full of deep ruts, or over the heavy land which secures the place against intrusion, he will wonder how it happened that this romantic old place was set down in a savanna of corn-land, a desert of chalk, and sand, and marl, where gaiety dies away, and melancholy is a natural product of the soil. The voiceless solitude, the monotonous horizon line which weigh upon the spirits are negative beauties, which only suit with sorrow that refuses to be comforted.

Hither, at the close of the year 1820, came a woman, still young, well known in Paris for her charm, her fair face, and her wit; and to the immense astonishment of the little village a mile away, this woman of high rank and corresponding fortune took up her abode at Saint-Lange.

From time immemorial, farmers and laborers had seen no gentry at the chateau. The estate, considerable though it was, had been left in charge of a land-steward and the house to the old servants. Wherefore the appearance of the lady of the manor caused a kind of sensation in the district.

A group had gathered in the yard of the wretched little wineshop at the end of the village (where the road forks to Nemours and Moret) to see the carriage pass. It went by slowly, for the Marquise had come from Paris with her own horses, and those on the lookout had ample opportunity of observing a waiting-maid, who sat with her back to the horses holding a little girl, with a somewhat dreamy look, upon her knee. The child's mother lay back in the carriage; she looked like a dying woman sent out into the country air by her doctors as a last resource. Village politicians were by no means pleased to see the young, delicate, downcast face; they had hoped that the new arrival at Saint-Lange would bring some life and stir into the neighborhood, and clearly any sort of stir or movement must be distasteful to the
suffering invalid in the traveling carriage.

That evening, when the notables of Saint-Lange were drinking in the private room of the wineshop, the longest head among them declared that such depression could admit of but one construction--the Marquise was ruined. His lordship the Marquis was away in Spain with the Duc d'Angouleme (so they said in the papers), and beyond a doubt her ladyship had come to Saint-Lange to retrench after a run of ill-luck on the Bourse. The Marquis was one of the greatest gamblers on the face of the globe. Perhaps the estate would be cut up and sold in little lots. There would be some good strokes of business to be made in that case, and it behooved everybody to count up his cash, unearth his savings and to see how he stood, so as to secure his share of the spoil of Saint-Lange.

So fair did this future seem, that the village worthies, dying to know whether it was founded on fact, began to think of ways of getting at the truth through the servants at the chateau. None of these, however, could throw any light on the calamity which had brought their mistress into the country at the beginning of winter, and to the old chateau of Saint-Lange of all places, when she might have taken her choice of cheerful country-houses famous for their beautiful gardens.

His worship the mayor called to pay his respects; but he did not see the lady. Then the land-steward tried with no better success.

Madame la Marquise kept her room, only leaving it, while it was set in order, for the small adjoining drawing-room, where she dined; if, indeed, to sit down to a table, to look with disgust at the dishes, and take the precise amount of nourishment required to prevent death from sheer starvation, can be called dining. The meal over, she returned at once to the old-fashioned low chair, in which she had sat since the morning, in the embrasure of the one window that lighted her room.

Her little girl she only saw for a few minutes daily, during the dismal dinner, and even for a short time she seemed scarcely able to bear the child's presence. Surely nothing but the most unheard-of anguish could have extinguished a mother's love so early.

None of the servants were suffered to come near, her own woman was the one creature whom she liked to have about her; the chateau must be perfectly quiet, the child must play at the other end of the house. The slightest sound had grown so intolerable, that any human voice, even the voice of her own child, jarred upon her.

At first the whole countryside was deeply interested in these eccentricities; but time passed on, every possible hypothesis had been advanced to account for them and the peasants and dwellers in the little country towns thought no more of the invalid lady.

So the Marquise was left to herself. She might live on, perfectly silent, amid the silence which she herself had created; there was nothing to draw her forth from the tapestried chamber where her grandmother died, whither she herself had come that she might die, gently, without witnesses, without importunate solicitude, without suffering from the insincere demonstrations of egoism masquerading as affection, which double the agony of death in great cities.

She was twenty-six years old. At that age, with plenty of romantic illusions still left, the mind loves to dwell on the thought of death when death seems to come as a friend. But with youth, death is coy, coming up close only to go away, showing himself and hiding again, till youth has time to fall out of love with him during this dalliance. There is that uncertainty too that hangs over death's to-morrow. Youth plunges back into the world of living men, there to find the pain more pitiless than death, that does not wait to strike.

This woman who refused to live was to know the bitterness of these reprieves in the depths of her loneliness; in moral agony, which death would not come to end, she was to serve a terrible apprenticeship to the egoism which must take the bloom from her heart and break her in to the life of the world.

This harsh and sorry teaching is the usual outcome of our early sorrows. For the first, and perhaps for the last time in her life, the Marquise d'Aiglemont was in very truth suffering. And, indeed, would it not be an error to suppose that the same sentiment can be reproduced in us? Once develop the power to feel, is it not always there in the depths of our nature? The accidents of life may lull or awaken it, but there it is, of necessity modifying the self, its abiding place. Hence, every sensation should have its great day once and for all, its first day of storm, be it long or short. Hence, likewise, pain, the most abiding of our sensations, could be keenly felt only at its first irruption, its intensity diminishing with every subsequent paroxysm, either because we grow accustomed to these crises, or perhaps because a natural instinct of self-preservation asserts itself, and opposes to the destroying force of anguish an equal but passive force of inertia.

Yet of all kinds of suffering, to which does the name of anguish belong? For the loss of parents, Nature has in a manner prepared us; physical suffering, again, is an evil which passes over us and is gone; it lays no hold upon the soul; if it persists, it ceases to be an evil, it is death. The young mother loses her firstborn, but wedded love ere long gives her a successor. This grief, too, is transient. After all, these, and many other troubles like unto them, are in some sort wounds and bruises; they do not sap the springs of vitality, and only a succession of such blows can crush in us the instinct that seeks happiness. Great pain, therefore, pain that arises to anguish, should be suffering so deadly, that past, present, and future are alike included in its grip, and no part of life is left sound and whole. Never afterwards can we think the same thoughts as before. Anguish engraves itself in ineffaceable characters on mouth and brow; it passes through us, destroying or relaxing the springs that vibrate to enjoyment, leaving behind in the soul the seeds of a disgust for all things in this world.

Yet, again, to be measureless, to weigh like this upon body and soul, the trouble should befall when soul and body have just come to their full strength, and smite down a heart that beats high with life. Then it is that great scars are made. Terrible is the anguish. None, it may be, can issue from this soul-sickness without undergoing some dramatic change. Those who survive it, those who remain on earth, return to the world to wear an actor's countenance and to play an actor's part. They know the side-scenes where actors may retire to calculate chances, shed their tears, or pass their jests. Life holds no inscrutable dark places for those who have passed through this ordeal; their judgments are Rhadamanthine.

For young women of the Marquise d'Aiglemont's age, this first, this most poignant pain of all, is always referable to the same cause. A woman, especially if she is a young woman, greatly beautiful, and by nature great, never fails to stake her whole life as instinct and sentiment and society all unite to bid her. Suppose that that life fails her, suppose that she still lives on, she cannot but endure the most cruel pangs, inasmuch as a first love is the loveliest of all. How comes it that this catastrophe has found no painter, no poet? And yet, can it be painted? Can it be sung? No; for the anguish arising from it eludes analysis and defies the colors of art. And more than this, such pain is never confessed. To console the sufferer, you must be able to divine the past which she hugs in bitterness to her soul like a remorse; it is like an avalanche in a valley; it laid all waste before it found a permanent resting-place.

The Marquise was suffering from this anguish, which will for long remain unknown, because the whole world condemns it, while sentiment cherishes it, and the conscience of a true woman justifies her in it. It is with such pain as with children steadily disowned of life, and therefore bound more closely to the mother's heart than other children more bounteously endowed. Never, perhaps, was the awful catastrophe in which the whole world without dies for us, so deadly, so complete, so cruelly aggravated by circumstance as it had been for the Marquise. The man whom she had loved was young and generous; in obedience to the laws of the world, she had refused herself to his love, and he had died to save a woman's honor, as the world calls it. To whom could she speak of her misery? Her tears would be an offence against her husband, the origin of the tragedy. By all laws written and unwritten she was bound over to silence. A woman would have enjoyed the story; a man would have schemed for his own benefit. No; such grief as hers can only weep freely in solitude and in loneliness; she must consume her pain or be consumed by it; die or kill something within her--her conscience, it may be.

Day after day she sat gazing at the flat horizon. It lay out before her like her own life to come. There was nothing to discover, nothing to hope. The whole of it could be seen at a glance. It was the visible presentment in the outward world of the chill sense of desolation which was gnawing restlessly at her heart. The misty mornings, the pale, bright sky, the low clouds scudding under the gray dome of heaven, fitted with the moods of her soul-sickness. Her heart did not contract, was neither more nor less seared, rather it seemed as if her youth, in its full blossom, was slowly turned to stone by an anguish intolerable because it was barren. She suffered through herself and for herself. How could it end save in self-absorption? Ugly torturing thoughts probed her conscience. Candid self-examination pronounced that she was double, there were two selves within her; a woman who felt and a woman who thought; a self that suffered and a self that could fain suffer no longer. Her mind traveled back to the joys of childish days; they had gone by, and she had never known how happy they were. Scenes crowded up in her memory as in a bright mirror glass, to demonstrate the deception of a marriage which, all that it should be in the eyes of the world, was in reality wretched. What had the delicate pride of young womanhood done for her--the bliss foregone, the sacrifices made to the world? Everything in her expressed love, awaited love; her movements still were full of perfect grace; her smile, her charm, were hers as before; why? she asked herself. The sense of her own youth and physical loveliness no more affected her than some meaningless reiterated sound. Her very beauty had grown intolerable to her as a useless thing. She shrank aghast from the thought that through the rest of life she must remain an incomplete creature; had not the inner self lost its power of receiving impressions with that zest, that exquisite sense of freshness which is the spring of so much of life's gladness? The impressions of the future would for the most part be effaced as soon as received, and many of the thoughts which once would have moved her now would move her no more.

After the childhood of the creature dawns the childhood of the heart; but this second infancy was over, her lover had taken it down with him into the grave. The longings of youth remained; she was young yet; but the completeness of youth was gone, and with that lost completeness the whole value and savor of life had diminished somewhat. Should she not always bear within her the seeds of sadness and mistrust, ready to grow up and rob emotion of its springtide of fervor? Conscious she must always be that nothing could give her now the happiness so longed for, that seemed so fair in her dreams.

 A Woman of Thirty> Chapter 2